The personal becomes the classical.
Originally published June 20, 2018
The Harlem-born photographer’s images combine a spectrum of emotions with formal impact.
February 2, 2023
“We identify Kurt Cobain or Chris Cornell as a certain idea, which they can’t nor do they want to live up to.”
January 27, 2023
Pizza is the world’s go-to chow — even in a war zone.
January 20, 2023
Led by eight filmmakers, Gillian Jacobs explores her options in this uneven exquisite corpse of a movie.
January 13, 2023
“There’s always gonna be a backlash. And it’s sad. It’s maddening.”
January 11, 2023
The Iranian director has been in and out of prison, makes films with iPhones, has smuggled one of his movies out of the country on a thumb drive inside a cake, and never relents on his chin-out stance toward the state.
January 6, 2023
The punk stalwart has worked in all realms of the music business and has survived to tell the tale.
January 5, 2023
Among other mold-breaking endeavors, the Brooklyn-based record label founded by two women delivers a “well-curated aesthetic that breeds this feeling of fun and divine femininity."
January 5, 2023
Don DeLillo’s novel remains potent – but not terribly filmable.
December 29, 2022